What we expect and what we get

I had a rough morning with my kids today. Neither of them brushed their teeth, although both of them said they had. My son’s drum book had gone missing, although he’s only had it for a week. All of his mitts were wet because no one reminded him to take them out of his backpack last night (he’s 10… I keep expecting that at some point he’ll remember to do it on his own). To top it off, it’s been 1000 degrees below zero for several weeks and we’re all tired of being perpetually frozen. I lost my temper and got to work feeling awful about myself. I’m sure they didn’t feel great either.

I had expectations about how the morning would unfold. I expected they would brush their teeth (or at least not lie about NOT brushing their teeth). I expected that the drum book would be easy to find in preparation for the drum lesson tonight. I expected that after spending several hundred dollars on the best mitts money can buy, at least one pair of them would be dry. I’m sure my kids expected that their mother, an otherwise sane person, would not lose her mind about these mundane frustrations just before they left for school.

My expectations for how my kids would behave this morning were, arguably, too high. They were also coloured by my own frustration with the weather and my own anxiety about the consequences of their actions. What will people think of me as a parent if their breath smells terrible? If he doesn’t have his drum book? If he goes to school in this temperature with wet mitts? What will that say about me?

I’ve been wondering a lot about expectations this week as I’ve been visiting classes and observing students and teachers. It’s report card season in Ontario and teachers are furiously organizing documentation and writing comments. I remember it well. What I’ve observed in several classrooms has been a rush towards establishing students’ surface-level knowledge of concepts like shape names, numerals, letters, and colours in time for that noun recall to be formally reported on.  Does the child know the name for a rectangle? Can she identify the colour blue?

These assessments are happening outside of the play. Children are building and sculpting and imagining and conversing throughout the room while educators are pulling children out of the play to assess them on these noun recall tasks. There are two sets of expectations that concern me when I see this type of assessment occurring.

The first aspect that worries me is that these assessments don’t get at what we’re expected to be teaching and assessing in Ontario. Looking just at the concept of shape, for instance, the curriculum tells us that as children progress through the Kindergarten program they “describe, sort, classify, build, and compare two-dimensional shapes and three dimensional figures, and describe the location and movement of objects, through investigation.”  Nowhere in that expectation does it say “identify” or “name”. That’s very intentional on the part of the authors of the document.

In several other places in the curriculum document, concepts of shape are discussed. On page 52, for instance, the curriculum advises us that “generic art activities – for example, having children work with pre-cut shapes – should be avoided: they are rarely effective because their focus is narrow and they provide only limited assessment information about the child’s level of understanding. Children need time to imagine, create, and explore in a non-threatening environment where they know that their individual choices and responses are respected and valued.

The document also provides examples of how me might support children’s questions and curiosities around the concept of shape by, for instance “identifying mathematical relationships with the children (e.g., two of their small blocks make one large one; different shapes can be combined to make a more complex pattern).” Later, the document asks us to remember that “children are highly capable of complex thinking. In order to avoid limiting the children’s thinking, and to help them extend their learning, educators [should] provide challenges that are at the “edge” of the children’s learning.”  Simply naming shapes is not on the “edge” of most children’s learning in Kindergarten (what Vygotsky called the zone of proximal development). Children who cannot yet name the standard school shapes can nevertheless demonstrate complex thinking about symmetry, congruence, and the relationships between shapes in their building, drawing and sculpture. In an echo of Arthur Efland’s classic treatise on “The School Art Style,” I fear that these types of assessments slide us towards a “school math style” and a “school reading style” which, like “School Art” have little relationship to either the academic domains they’re allegedly preparing students for nor the spontaneous and sophisticated mathematical and linguistic play of children.

 

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A student’s representation of the CN Tower and his own imagining of a “downtown building.” What mathematical thinking can you observe? How could you create cognitive conflict in this centre to nudge this student’s learning forward? What questions could you ask?

Treating math like it’s mostly about nomenclature reflects both a lack of understanding of the curriculum expectations but also an internalized expectation of the kind of thinking children are capable of between the ages of 3 and 6. The saddest part of this type of withdrawal assessment, for me, is how much is missed when educators are focusing on checklists. All around me, I see children interacting with materials and each other in sophisticated ways. I see children exploring shape concepts in the building centre, I see children exploring colour mixing at the easel and I see children exploring quantity in their dramatic play. I had a great conversation with a child this week about the relationship between a sphere and and a circle as we played with clay together. You miss all that when you’re focused on getting every kid to make the same penguin or making sure every kid can identify a triangle.

Teaching kindergarten is hard work, on a lot of different levels. It’s emotional work, it’s physical work, and yes, it’s intellectual work.  Is it easier to assess students on surface-level nomenclature than to engage them in conversation during play or small-group instruction in order to assess their progress? It sure is! Does it get you the kind of data you need to move students forward? Does it inform the process of helping them to extend their learning, by providing them with challenges that are at the “edge” of their learningI don’t think it does.

Your expectations shape what you believe is possible for the children in your class. Expectations that focus on recall, memorization and nomenclature create a false ceiling for children’s learning and teach them that school is not about their creativity, their critical thought or their curiosity.   Every time we prioritize recall-type individual assessment over being present in play, we teach children about what we value and what we expect. We can’t be surprised when we later have adolescents and adults who don’t think critically or creatively about problems and issues. We’ve taught them over and over again that those abilities don’t matter.

When I get home tonight, I’m going to apologize to my kids for loosing my temper this morning and I’ll probably buy them a treat on the way to drum lessons as penance. My skewed expectation are relatively easy to repair, mercifully. Our lowered expectations in the classroom, however, are often very hard to identify, let alone change. We are very comfortable doing things how they have always been done and changing those practices puts us in that same, sometimes scary, zone of proximal development that we’re uncomfortable putting students in.

In his book, Mathematizing, Allen C. Rosales describes the importance of creating “cognitive conflict” for students. He describes it as “the process of encountering new situations or facts that “conflict” with what we already deam to be true.” Other authors have used the terms “problematizing” or “de-facilitating” to describe this process of nudging student learning forward purposefully. Every time I’m in a Kindergarten classroom, I find my assumptions and expectations being challenged. I learn anew what marvels young children are capable of when our expectations allow them to demonstrate their incredible capacities.

 

 

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Serendipity and the choices we make

Educators probably make hundreds of choices every day. What do I attend to? How do I balance my instructional goals across the curriculum? Which children should I be working with right now? What should I purposefully ignore? It can be overwhelming and sometimes the relentlessness of the classroom environment leads to inertia. We start making fewer and fewer teaching moves so as not to have to make a choice. That too is, of course, a choice.

The story of these choices becomes how the year unfolds and how we all, students and educators alike, experience being part of the classroom community. Our choices have an impact, whether we’re being thoughtful about them or not. Many times, especially in early learning, those choices come to us serendipitously and we have to react in the moment, deciding which threads to pull on and which to drop.  Here’s the story of one of those threads.

I was visiting a classroom recently when I noticed a child drawing a spiral.

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I asked him about his drawing and he initially didn’t have a lot to say.

“It goes smaller and smaller in the middle.”

In my best Doug Clements imitation, I introduced the vocabulary of a “spiral” and asked the child where he had noticed shapes like that before.

He replied that he didn’t know and pointed back to his page: “I drew it here.”

It was then that serendipity struck.  I recalled that earlier in the day another child had asked the classroom teacher about the contents of one of the boxes on a shelf and she had replied that it contained shells that someone had donated. I wondered if there might be a spiral-shaped shell in that box.

We went to look and found that there were several large conch shells in the box. This discovery inspired the usual listening to the ocean sounds but once we’d all had a good listen, we went back to the table where we’d started and I challenged the children to draw the spiral shapes that they observed in the shell. IMG_9447.jpg

G, the child who had drawn the original spiral, struggled to capture the details in the shape of the shell while maintaining the spiral shape.IMG_9438.jpg

When he reached the edge of the paper, he declared that he was “done”.

I wanted to know how he knew his drawing was finished.

“Because the paper is done, no more.”

In spite of saying he was done, G continued to add more zig zagging lines and then, frowning, said: “I want to draw another one. It’s so hard.”

His friend and I had also been drawing the shell and we looked at how all three drawings were different from each other.

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We also noticed that R, another child at the table, was drawing a different shell and was paying close attention to the detailed lines on his shell.

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I wondered aloud whether some magnifying glasses might help them look closely at the shells so that they could all do what R was doing.  We fetched the magnifying glasses and G made a second attempt at drawing the conch shell.

This time, G looked very carefully at the shape of the shell and followed with his eyes as he drew.

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He drew more slowly and paid close attention to the details.  He frequently paused to change the angle of the shell on the table.

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The first drawing (left), the second drawing (right)

The resulting drawing is on the right. You can see how his attention to the shape of the shell led him to more closely replicate the roundness of the conch.  When I talked to the students about how G’s drawing had changed between his first and second attempts, R said: “one is a circle and one is more a square.”

 

When the class gathered at the carpet, we shared with the other children our drawings and our learning about the shapes we had found in the shells. We also shared the new vocabulary we had learned: spiral.

The inquiry might well have ended at that point as the students went to eat lunch and then moved outside for their outdoor play block but serendipity struck again. As I was wandering around the edge of the schoolyard, looking for places that the class might explore and engage with nature, I noticed that some of the terrain had been disturbed by a piece of heavy equipment. Soil was turned over, it was muddy and snowy and there were tire tracks everywhere. When I walked over for a closer look, I noticed some small objects sticking out of the ground. Amazingly, they were snail shells, dozens of them. Some were broken but many were intact and they were all covered in semi-frozen mud.

I called the children over and they began plucking them out of the ground with their cold fingers.  The students who had drawn the shells earlier in the day were particularly excited when they noticed the obvious spirals on the snail shells.

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We theorized about what the broken shells would look like once we washed the mud out of them and the students debated intensely amongst themselves: were there snail guts in there or was it just mud?

I had to leave the school at that point but I left them with the shells and a plan to wash out the mud and report on what they observed. I also sent them a copy of the book Swirl by Swirl: Spirals in Nature by Joyce Sidman.

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There’s a lot going on here: children are investigating concepts that, in a traditional academic context, would slot themselves nicely into the subject boxes called Biology, Mathematics and Art. For children, these are a whole.

To paraphrase Ken Robinson, children aren’t aware that subjects are “an available condition.”

None of what happened with G, R, and their classmates that day would have been possible if I hadn’t had my ear to the ground, if I hadn’t been open to the potential for magic to happen. In his book Mathematizing, Allen C. Rosales writes that “students’ optimal learning opportunities occur when their hearts and minds are focused on the topics or ideas they have decided to investigate at the moment.”

Finding that context and being open to the serendipitous choices that are available to us every day depends on how well we listen to kids, how closely we watch them and how much we care about creating curriculum that is relevant to their holistic way of seeing the world.

Back to Basics: 5 strategies for success in Kindergarten

The first few weeks back at school have had me going back to my roots in Kindergarten.  I’ve had the pleasure of visiting many classrooms and interacting with lots of curious and capable kids. Maybe it’s nostalgia, but there’s always a part of me that’s struck by the timelessness of early childhood.  As much as we lament the way society, or technology, or time changes children and families, there are some constants that remain, regardless of the specific moment we find ourselves in.

I’ve had two kids this week tell me that I look like their grandmas (because I don’t dye the grey out of my hair – I’m 41) so perhaps you’ll indulge me in a little walk down memory lane.

  1. The floor is where it’s at.

As Karyn Callaghan so eloquently describes in this video, children quite literally see the world from a different perspective.  They are closer to the ground than we are and it’s important that we get down on the ground to see what they see. Often when an educator tells me she can’t figure out what a group of children is doing or how to move their learning forward, I suggest that she spend some time sitting on the floor, watching the students or even playing alongside them.  Creating your own drawing or building or ramp or pattern that pushes the learning forward by increasing the complexity or the height or the structural challenge can be as effective (or more) than verbally prompting a child.  So much of our communication – regardless of our age – is nonverbal and you will miss a lot of what’s going on between children if you always remain at adult height. Make the floor your friend.

2. Go outside

Those kids look too old for kindergarten, you may be thinking.  You’re right. That’s my son and one of his friends. They’re much older but they’re still fascinated by building things outside, playing outside, all things outside. Technology is seductive but outside is absorbing.

Time spent outside with your students is never time wasted but, like being on the floor, it helps if you’re close to the action.  Watching from afar rarely allows you to understand what’s going on. You’ve got to be in on the action.

Irrigation, erosion, dam buiding and water management are hot topics in the fall.

Grab a shovel or a stick and go with them.  You’ll have a much better idea of where to take the learning if you’re there when the questions (verbal or not) are being asked.

3. Move

Sitting is bad for us. Sitting is the new smoking. Sitting is sufficiently problematic that many of us wear alarms that chide us when we sit for too long. And yet…

And yet…

Too often we expect young children (both in Kindergarten and beyond) to sit for far too long and then we get upset because many of them can’t. Even when they can, it’s often not because they’re attending to what we’re trying to teach, it’s just that they’ve become expert self-regulators. They rub their legs or tap their fingers or zone out so that they appear compliant, don’t get into trouble but still manage to cope with the stress of remaining immobile for so long. Consider limiting your carpet meetings to 10-15 minutes.  You’ll get more bang for your buck, children will attend to what you’re saying and you’ll have less negative behaviour to manage.

4. Sing

Somewhere between the days when Kindergarten teachers spoke to everyone (bank tellers, police officers) in a sing-song tone and today, we’ve lost the connection between Kindergarten and singing. I’ve visited too many classes where there is hardly any singing. This summer I was giving a workshop and a teacher asked me if there was a website where all the songs I was teaching were available so that she could stream them on her SmartBoard and thereby avoid actually singing. We have become singing phobic.

Maybe I should blame American Idol but many teachers are convinced they can’t sing. I’m going to let you in on a little secret: the kids are not Simon Cowell and they really don’t care how great your voice is.  Another secret: being “good” at singing is mostly about practice.  I’m always amazed when I have the occasion to sing Happy Birthday with people who go to church on a regular basis.  They harmonize effortlessly, they stay on the beat and they all find the same key.  It’s not because they’re formally trained in vocal music, it’s because they sing regularly; they are good at it because they practice.  You’ll get better too, I promise.

The other reason singing is so important is that it is one of our best strategies for developing phonemic awareness, the bedrock upon which we build literacy skills. The way that sounds are segmented, emphasized, and placed into rhyming patterns in songs helps children to build their awareness of sound to symbol relationships. Song lyrics can also be used as shared reading text and then posted for students to read and sing together which continues to build their developing literacy skills.

Finally, singing helps to smooth out transitions (lining up, walking in the hallway) and builds routines that kids look forward to. Singing feels good and it gives kids something to do during times when they might otherwise find themselves at loose ends and irritating each other. Sing your transitions and you will find they are much more manageable.

5. Recognize the good

It is very easy sometimes to fall into the habit of managing behaviour by saying “no” a lot.  I’m not advocating that you allow behaviour that is anti-social or dangerous but it is often so much more effective to recognize what’s going well.  Most children will notice when other children are being praised and will rush to join the club. This works equally well with teenagers.  You can even do it in a song!  Developing a practice of noticing when kids are doing well will also shift your perspective towards the things that are going well in your classroom. Too often we fall into despair about how much work there is to do and we forget to acknowledge how far we’ve come. It’s October… to paraphrase Robert Frost, we have miles to go before we sleep.

The missing ingredient

I attended my first meeting about full-day kindergarten in the Spring of 2010, 7 years ago now.  In the intervening years, I’ve worked as a classroom teacher in FDK and as a support person for FDK classrooms.  I’ve thought hard about the progress we’ve made and the progress we’ve missed as I’ve observed and documented, reflected and refocused.   And I have to say that, although there are some shining examples of excellence, our progress, across the province, hasn’t been where many of us would have hoped.   We are, in many meetings, still talking about the same issues we were discussing 7 years ago.

Why? Why haven’t we, in spite of our best intentions, been able to move the needle on some of these critical issues in early learning?  Why is my daughter still coming home from her second year of Kindergarten with worksheets and fixed-result crafts?  How can I possibly be having the same conversations with her teachers that I was having with my son’s teachers in 2012? They’re getting tired of it and so am I (imagine for a moment the delight a teacher feels when I walk into their classroom information night… oy).

I’ve been thinking hard about these questions a lot this year, especially as I’ve been working with the teachers, educators, and artists in our Artists-in-Residency (AIR)(education) program (generously funded by the Ontario Arts Council).

Without exception, the artists working in this program bring an entirely fresh perspective to the classrooms they’re working in.  They see things with new eyes.  They don’t have the same preconceived notions that many of us in education do about children, their capacities, and the possibilities for learning in the classroom.   Let me give you an example.

In one of our schools, we have had an artist working with both a kindergarten teacher/ECE team and a grade 3 teacher.  The same artist also worked in the school last year but this is the first time we’ve extended the program beyond kindergarten.  She has been in residency, typically spending two half-days per week in each class, for 8 weeks.  As the grade 3 teacher pointed out, that’s the equivalent of 9 months of Visual Art instructional time according to the minutes allotted in our board (which are comparable to instructional time allotments across Ontario).

During this time, the grade 3 students have made plaster casts, abstract maps, and clay pots.  They’ve experimented with linocut printmaking and copper tooling.  They’ve also made their own paper and learned about 3-dimensional drawing techniques.  It’s been a rich and rewarding experience for everyone and represents a particularly brave leap for the teacher; grade 3 is a testing year in Ontario and many teachers would be reluctant to give so much time to an Art project.

But we’re here to talk about Kindergarten so let me tell you about the project in that class.  Last year this artist worked with the students’ interests and curiosities to create a very detailed 3-dimensional model of a coral reef, including a reef sculpted in wire, covered in plaster bandages, and painted in bright acrylics.  This year, the class began working on a few projects to test the water and get an idea for where the students wanted to take the project.  They began with the students’ existing fascination with building which prompted tall paintings (à la Holton Rower) and architecture-inspired floor plans and building designs.

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tall paintings mounted for display

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Kindergarten blue print
The project quickly shifted, however to a focus on space.  Space.  As we had done the previous year with the coral reef, this direction prompted some soul searching on the part of all the adults.  Space seems an awful lot like a theme.  Was this really where we wanted the project to go?  Did it have enough to do with Art? Was it a genuine place of curiosity for the students or was there a bigger question we were missing? But given that we didn’t have any other obvious direction, we decided to go for it.

I ordered batteries, wires, and LED lights while the artist’s receipts revealed purchases that stretched from one end of the dollar store to the other.  The students made a planetarium out of a giant cardboard box, featuring constellations that were wired together and used finger pressure to connect the circuits.  They created Mars rovers and a dramatic play centre that featured plaster bandage helmets and moon shoes.  They created a cave populated with crystal sculptures.  The project went well beyond where anyone would have predicted at the outset. The teacher and ECE reflected:

“It was interesting to observe an inquiry progress through the arts. The children’s questions lead us. I wonder how our project would have looked if we had not used the techniques introduced by the artist?”

And that’s the rub that we’re facing, 7 years in.  We’ve tried to adopt Malaguzzi’s broad view of 100 languages without bringing in the translators he used.  We are like aliens, fish out of water.  We don’t know how to navigate and though we’re trying, gamely in many cases, we keep reverting back to our old languages of reading, writing, and mathematics because there isn’t anyone to bridge the cultural gap for us.  The gulf between the culture of school and the culture of childhood remains in large part, I think, because the people who could comfortably stand on both sides of the divide aren’t in schools.  We haven’t asked them to come in.

Vea Vecchi, writing in the journal Innovations in Early Education writes:

“In the late 1960’s the decision was made to have an atelier and an atelierista in each municipal infant-toddler centre and preschool in Reggio Emilia. It was a choice that was revolutionary then and now because it changed a conformist way of thinking about education, of looking at knowledge and learning. This choice created a dialogue between social constructivist pedagogy and the poetic languages of the atelier. This decision was actually quite subversive. In a very short time after the original institution of the atelier, the culture of the atelier began to infuse throughout the entire school. The atelier brought certain techniques and certain culture into the school but also had an intense effect on all the aspects of the school.” (Fall 2012, Volume 19, Number 4)

The artists of the atelier are not teachers, just as our AIR artists aren’t teachers.  They bring a subversive set of eyes and hands and legs to the classroom and in the upending that occurs, the very nature of what school is changes.

Vecchi writes: “Loris Malaguzzi talked about the atelier as a being an “impertinent atelier.” This is a term that I like very much because it implies that the atelier is a place of provocation. The atelier is a place that guarantees that knowledge and learning are taking place with the mind and the hand as well as rationality and emotions connected.”

Learning with the mind and the hand… learning with emotions.  How many of the issues that we talk about in education, be it a better future for learners who identify as Indigenous, a focus on Mental Heath, physical literacy, problem solving, critical thinking, creativity, collaboration are so obviously served by having artists present in schools, active in schools, integrated into schools?  How far could we move the needle on student Mental Health if kids had access to an art studio in their schools, if their teachers had access to an artist-in-residency… full-time? How much more creative could we all be if we had the kinds of opportunities that the students and educators involved with the AIR program have had?  What a difference it would make to the culture of school if we had fluent adult speakers of the 100 Languages in the building. I think we’re missing out, our kids are missing out, and our society is missing out.  Send in the artists. There’s no time to waste.

 

 

It’s all about you

This year, for the first time, I’m teaching one of my own children.  Now, it’s only for 75 minutes a week, but it’s an adventure nonetheless. My son, who’s 8, is having a very hard time separating Mommy from Miss Emily and it’s a challenge for me to manage his needs effectively when I have 9 other kids to teach at the same time. It’s usually not pretty and I often leave with a nagging headache.

But this week, for the first time in several weeks, I managed to sleep through the night uninterrupted prior to teaching his ballet class.  Instead of going into the class feeling exhausted and edgy, I went in feeling pretty good and I even had enough energy to teach the following class without worrying that I’d fall asleep on my feet.

I’ve been doing some extra reading about how to best teach younger boys in ballet class (there are 3 boys in my son’s class) so I’ve been putting some of those strategies into place for the past few weeks (floor exercises instead of centre work, movement games, team ballet ‘battles’, and lots of fun breaks between the serious bits… in case you’re wondering) but this was the first week when it felt like the dynamic had shifted.  For the first time this year, I felt successful with this group of kids and I didn’t get so frustrated with my own child.

After the class was over, I found myself reflecting on why things had shifted.  Was it because I had tried some new things that were more developmentally suited to that group of kids or was it because I was more well rested and better able to teach effectively and be present in the room?  How much of my frustration with the kids was really about me and my state of mind?  I had been blaming my negative experience of the class on them… but was it really all about me?

We get into this kind of thinking a lot in education.  Too often, I hear teachers talking about being “saddled with behaviours” in their classes, as though the children are choosing to overwhelm their teacher, as though their behaviour is a personal affront to the adults.  We talk about kids in a way that dehumanizes them, that ignores their individuality and that focuses exclusively on their deficits.  I have, many times, observed teachers who have become blind to the amazing things that children are doing right in front of them because they have become so focused on what their students aren’t doing that they can’t see anything else.  It’s one of the most challenging parts of my work: trying to push back against that negativity and advocate for the kids while at the same time not alienating the teacher.

Children are capable… what does that really mean?  Does it mean that we can never talk about the challenges we’re having with kids?  Does it mean that we have to adopt a Pollyanna tone in our conversations so that everything is about sunshine and robins who perch on your finger as you sing a merry tune?  No, I don’t think so.

A colleague once described me as a creative pragmatist, something I took as a great compliment. I don’t want to suggest that problems don’t exist; we all need to vent sometimes and it’s good to have people with whom you can let out all your frustrations. But when venting becomes the tone of all our conversations about children, we have a problem.  Children come to school with all sorts of experiences and it is our job, our mission, our vocation to help them learn.  They are children, we are adults; it’s not their fault, it’s just their turn.

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Courtesy of Anita Simpson @asimpsonEDU

This week has been an excellent reminder of the power of “yet” in my life both personally and professionally.  When things aren’t going well, I need to take a deep breath and remind myself that they’re not going well… yet.  Keeping that mental door open to the possibility of change makes all the difference in my perception of the problem.  As my perception changes, the problem changes too and I start to be able to see solutions that weren’t obvious when I was in full venting mode.  In order to be there for kids I need to be there… really in the room, wide awake (both literally and in the Maxine Greene way), and present, prepared to advocate for them even when it’s uncomfortable and prepared to make the changes in my own practice that will make a difference for them.  You’re the only teacher they have and so am I; what we do and what we say matters.  There are no mulligans in childhood.

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The Best Laid Plans

Welcome to the new school year!  I hope it’s been a great experience so far, full of the excitement and rush of newness.  In the spirit of that classic September assignment “What I Did on My Summer Vacation” I’m going to tell you about one of the adventures I had this summer and the way it’s changing my thinking about the work that I do.

A colleague and I had the good fortune of leading a 3-day summer workshop for Kindergarten teachers hosted by our provincial teacher’s union (If you’re reading this from outside of Ontario, you may be thinking: “Your union provides PD… what’s up with that?!?” We’re a lucky bunch.)  This workshop was focused on the new Kindergarten Program Document and the assessment framework laid out in the Growing Success Addendum for Kindergarten.  We also wanted to touch on some of the themes (eek! that word!) of our Kindergarten program: the teaching partnership, the classroom environment, outdoor inquiry, and the thoughtful use of materials.

It was a jam-packed agenda for three days together and we approached the planning with some jumpy nerves.  How could we plan for three days of learning without knowing who we were going to be working with?  When you’re presenting about a student-led, inquiry-based program, it doesn’t make much sense to plan everything out minute-by-minute.  We felt that the meta-message of the workshop needed to align with the messages coming out of our mouths.  You can’t credibly tell people: “You need to be flexible and responsive to students’ needs.”  while simultaneously ignoring the learning needs of the people in front of you.

So we began with enough material for the first two days, with the intention of planning the third day responsively, but after the first morning it became obvious, based on the questions that teachers and educators were sharing and the notes they were sending forward to us, that we would need to re-think our planning sooner than that.

So we did, and we continued to plan in the same responsive way over the next two and a half days.  We also talked to each other about our plans, right in front of the workshop participants, because we wanted to model that collaborative teaching partnership that is so important to a successful Kindergarten classroom in Ontario.  Sometimes it probably looked like we weren’t organized but, while the type-A part of my brain squirms uncomfortably at that perception, I know that the structured improvisation of inquiry-based planning is often what dictates its success in keeping it closely tied to the learning needs of the students.   It’s going to look a bit messy; by nature it’s not a tidy process.

In reflecting on the process of those three days, I’ve been thinking about the nature of the professional development experience in education.  We are very accustomed to receiving our professional development in a tidy, packaged format.  We’ve been schooled in being good consumers and we often expect to be passive receptacles of information that’s delivered to us in a well-polished box.  I know that I’ve been guilty of those preconceptions.  What does that do to the process of professional development?  When it’s so one-sided, what are we really learning?  How does it impact on changing professional practice when the process is so divorced from the needs and interests of the people around the table?

The learning for me, as a person who’s often at the front (side, back – I like to wander) of the room, has been that shifting those perceptions about what professional development “should be”is a challenge.  Our expectations are a strong fortress.  They protect us, true, but they also confine us.  Teaching responsively requires not just an attitude of curiosity but it also requires honesty from both sides of the process.  You can’t meet people’s needs when they won’t share them.  It really distributes the burden of responsibility when the “leader” isn’t always the one in charge.  The success of our professional learning suddenly isn’t someone else’s responsibility; it’s ours.

I was at a meeting last week, led by a teacher who has been seconded to our provincial Ministry of Education.  At the beginning of the meeting she announced, with a twinkle in her eye:  “I have an agenda for today, but really, it’s nonsense… we’ll be going wherever you want to take us.”  And so we did, and it was great.  It was a little bit chaotic, and we didn’t always know what would happen next, but we left having learned what was relevant to us.  For each of us that was different.  And we were okay with that.  I wonder what would happen if this started to be our new normal.  Would some of our cynicism about teacher PD dissolve if we felt more responsible for our learning, if it were more responsive to us?  Would we rise to the challenge?

 

 

 

The Christmas Quandary

I’m a bit of a scrooge, I’ll admit it.  I do not slip easily into the holly-jollies of this time of year.  I’m pretty serious by nature and it’s a difficult posture to shake.  I find it hard to toss life aside, to suspend disbelief, to step outside of myself for a while.  I’m working on it.

The contrast between my scrooge-ish tendencies and the general December explosion in schools is always a bit jarring.  The tinsel, the Santas, the trees, the gingerbread men, the sparkly, doo-dad, whoop-it-up craziness that barrels into most schools on December 1st and overtakes programming until the end of the calendar year always feels more like a tidal wave than I’d like it to.  There I stand on the beach, watching it tower over me, unable to stop it.  I can’t run away fast enough.

When I had my own classroom I would actively buck the trend,  looking for ways of acknowledging the cultural significance of the holidays without completely giving into the madness.  And, in case you’re wondering, this isn’t about the much vaunted but largely fictional “War On Christmas” that we hear so much about in the media.  For me it was more about creating an oasis in the classroom, a place where my students could rely on a routine that would be sustained, a rhythm that would be protected, even while the rest of the world was going mad.  

Kids are tired right now.  In most Canadian schools, we haven’t had a holiday weekend since the middle of October.  That’s nine weeks without a day off.  Oy.  Kids are also up late, eating foods with a lot more sugar, and very excited about the big day(s).  My own kids have been having full-blown Hanukkah meltdowns.  Eight crazy nights… picture it… let’s just say it doesn’t lead to Norman Rockwell scenes of familial peace and harmony.  It’s more like eight nights of cage-match parenting.  As much fun as Hanukkah is, I’m always happy when it’s over.

One of the biggest obstacles to fundamentally changing practice in Kindergarten classrooms is our adult attachment to holidays.  We seem to be very stuck on how to manage without “doing Christmas” or “doing Easter.”  

Here’s my observation, for what it’s worth: we are our own worst enemies.  We complain that the kids are “crazy” at this time of year but we feed into the craziness by completely giving our classrooms over to Christmas.  We abandon routine, we abandon inquiry, and we steer children in the direction of focusing on one event at the expense of everything else that might be interesting to them.  We complain about the madness as though it’s something that’s happening to us instead of something that we are actively participating in.  

We have this idea that we’re “doing it for the kids” but I really question whether that’s true.  Yes, the children like Christmas but they don’t like it at the expense of everything else in the universe.  For them it’s one tile in a mosaic of interests.  They don’t stop building because it’s Christmas.  They don’t stop making art because it’s Christmas.  They don’t stop dramatic play because it’s Christmas.  In fact, when I surveyed my documentation from Decembers past, I couldn’t find a single instance of children “playing Christmas” spontaneously.  

clay play (1)
4 days before the Christmas holidays: “Now you’re just like me, we all have capes.” ~ superhero play

If we believe that play is a window into a child’s inner life, then what can we learn by noticing the absence of Christmas in their play?  Maybe we’re not “doing it for the kids” after all. Maybe we’re doing it for us and maybe, just maybe, if we want December to be a more productive, more pleasant, less crazy time in schools, we’ll need to dial back our adult preoccupation with all things green and red and offer our students a more neutral space, a space into which they can project their own values, create their own celebrations, and express their own sense of festivity, unencumbered by an adult agenda.  There are other colours out there… we can choose a wider palette. 

pencil spectrum (1)